Modernist sourcesThe four mid-generation painters recently at Renaissance (July 27 to 31) are preoccupied with different subjects whose graceful but conventional range corresponds to their somewhat old-fashioned aesthetic languages, and binds them.This perhaps can be associated with the artists’ roots in Karnataka’s provincial educational institutions.To varying degrees and in varying ways, all of them relay on the indigenised, Modernism-derived combination of abstract elements, stylised figures and pattered design. These ingredients are softer and more abstract in Renuka Kesaramadu’s dynamic evocations of human hands reaching out over distances of the globe and in the rhythmic landscapes with architecture by Rupa Mahesh.Attention turns to a stylised human frame with residues of realism in Nirmala Kumari’s drawings of women and with an accent on mannered contouring and designing in the spiritual topics of Geetha Kekobad.– Marta Jakimowicz
Inspiration in strokesA group show by women artists was held at Renaissance Art Gallery in the City recently. The four artists were Renuka Kesaramadu, Rupa Mahesh, Nirmala Kumari, and Geeta Kekobad. Three of the women live and work in Tumkur while the fourth, Geeta is from Gujarat.“I have been painting for over 20 years and my work included miniatures and aluminium sculptures,” says Renuka. Her series titled Earth reflect many different aspects of her life and personality. “My family is scattered in different places around the globe.I use my acrylic paints to fill in the spaces left by the white canvas, highlighting emotions with gold and silver. I initially started out with a black and white series but it slowly evolved into a mixed-media collection,” she explains. Sketches, semi abstracts and abstracts, each set depicting the nature and inspiration of the respective artist. The Earth series had amorphous forms, hands reaching out across a swirling sphere of energy, the gold and white standing out in stark contrast to the blacks and whites.Rupa, on the other hand, started her art after her children were grown and her series of oils depict the natural bounty of the universe that is meant for all but shared only by some.“There is a lot of feeling that emerges from my sub-consciousness and expresses itself on canvas. While travelling between cities, I am often inspired and disturbed by images that seem familiar till I realise that I have projected them onto my paintings. To me, rocks are a symbol of solid strength and resilience. The sky, a natural shelter for the whole of humanity. Humans have been given so much by nature and yet they share so little, choosing to exploit the poor and under-privileged, instead of uplifting them,” she says.Faces with strongly defined features, striking black and white drawings, figures entwined in a shared moment of bonding, softly defined landscapes, all these were part of the group show at the gallery.
🇮🇳 Catherine E. Cooney, at Venkatappa Art Gallery, 1995, Bangalore, India
Two pieces from ’92 show the artist’s experimentation with brushwork.‘Travelers I’ depicts figures bathing, and is done with the sinuous motion and thick outline common to Edvard Munch, where each stroke follows the contour of the figure. A figure on the right foreground, her back to the viewer and arms upraised, strongly resembles one of Munch’s ‘Bathers’ though the palette – pinks and greens – reminds one of Monet and the foreground composition is similar to Botticelli’s ‘Venus’.‘Travelers II’ is done in equally energetic strokes though rather than undulating curves the artist has used short straight motions. Despite the use of flowing lines in ‘Travelers I’, ‘Travelers II’, with its strong diagonals, has more of a sense of motion. Her brushwork captures the sense of activity and the anticipation of the passengers waiting for a train in a busy station. This work is a bit more sophisticated than some of her other paintings; the diagonal composition is restrained enough not to be obvious, and her use of increasingly intense hues effectively shows projection into space.– Catherine E. Cooney, at Venkatappa Art Gallery, 1995, Bangalore, India
Il simposio internazionale d’arte di Scampia, organizzato da Antonella Prota Giurleo ed Enrico Muller, è una manifestazione di arte sociale che si è svolta nel cuore di Scampia nei quattro anni passati: si tratta di un momento importante di contatto tra l’arte e la gente di questo quartiere di Napoli, che certo una buona fama non ha. Ma l’arte non ha confini, e non si fa fermare da pregiudizi; anzi, gli artisti e le artiste che sono stati invitati nel corso delle quattro edizioni hanno reagito bene alla sfida di creare qualcosa che potesse rispondere a un desiderio che è profondamente umano: il desiderio di bellezza. La mostra che presentiamo al Pan offre una buona panoramica di quanto prodotto in occasione dei Simposi che si sono svolti a CasArcobaleno: opere nate dopo aver preso coscienza di cosa è Scampia e aver vissuto a contatto con le persone del luogo, ed anche opere prodotte durante i numerosi workshop che sono stati tenuti in parallelo: dal più tradizionale quadro, all’installazione, dalla scultura, agli oggetti con cui creare musica.– Micaela ManderArtiste e artisti: Helena Manzan, Brasile; Chen Li, Cina; Mari Jana Pervan, Croazia; Pirjo Heino e Petri Loues, Finlandia; Martine Boubal, Joelle Gandouin e Laurette Wittner, Francia; Gretel Fehr, Susanne Muller e Christa Wibbelt, Germania; Anthony White, Gran Bretagna; Renuka Kesaramadu, India; Semira Abdul Wahab, Irak; Constantin Neacsu, Csaba Gyori e Kinga Gyori, Romania; Isabel Jover e Cesar Reglero Campos, Spagna; Giuliana Bellini, Mirko Bozzato, Giuseppe Cafagna, Ludovica Cattaneo, Fabio Cito, Marisa Cortese, Mavi Ferrando, Fabio Fumo, Veronica Longo, Nadia Magnabosco, Marilde Magni, Enzo Marino, Monica Mazzoleni, Giuseppe Piscopo, Antonella Prota Giurleo, Angelo Riviello, Antonio Sormani, Rosanna Veronesi, Italia.
L'iniziativa promossa dalla Fondazione Sormani/Prota-Giurleo ha coinvolto artisti provenienti da tutto il mondoA Sormano i muri sono diventati tele da dipingereProsegue inarrestabile il programma di mostre virtuali organizzato dalla Fondazione Sormani/Prota-Giurleo: questa volta protagonista è un'invasione murale virtuale «a tema Anguana».«Avevamo progettato, come Fondazione, una mostra su questo tema. - spiega Antonella Prota-Giurleo - Nell'impossibilità di svolgere, tra maggio e giugno, un'iniziativa espositiva reale, abbiamo pensato di inventarne una virtuale coinvolgendo, come sede, tutto il paese».E cosi, grazie all'ausilio del fotoritocco, i muri esterni di vari edifici di Sormano sono stati virtuamente dipinti con opere artistiche provenienti da tutto il mondo, ricercando sintonia tra gli uni e le altre. Corale la risposta degli artisti: all'appello inviato dalla Fondazione si sono presentati dall'Argentina, Alfredo West Ocampo, Samuel Montalvetti, e Silvia Lissa; dal Brasile Hugo Pontes; dalla Francia Joelle Claudel Gandouin; dalla Turchia Emine Tokmakkya; dall'India Renuka Kesaramadu; infine, dall'Italia Annalisa Mitrano, Antonella Prota-Giurleo, Antonio Sormani, Attilia Garlaschi, Claudio Romeo, Fernanda Fedi, Gabriele Genchi, Gretel Fehr, LeoNilde Carabba, Margherita Cavallo, Margherita Del Piano, Matilde Magni, Mavi Ferrando, Mirko Bozzato, Nadia Magnabosco, Paolo Cabrini, Roberto Gianinetti, Ruggero Maggi, Tiziana Priori, Tosca Cosma Bolgiani, Ariel Alemanno e Umberto Corni.
Percorrendo via Lavello, si giunge alla piccola chiesa dove si possono ammirare due opere.La prima, collocata sotto il portico, della fotografa Margherita Del Piano e l’altra, sulla parete laterale destra, della pittrice e scultrice Renuka Kesaramadu. ...Renuka Kesaramadu rappresenta una grande Madre Terra amorosa che stringe al seno un enorme gomitolo aiutata, nel sostenerlo, da sagome di donne e di mani di donne. Un’interpretazione benevola che dice della necessità di relazioni femminili per sostenere questo nostro mondo in modo che, in esso, si possa, tutte e tutti, vivere in armonia.Sotto l’immagine dell’artista indiana la sorgente di acqua, fonte di vita.Ci si può fermare, dissetare, riposare all’ombra del portico e, allungando un poco il cammino, giungere allo splendido vecchio lavatoio a tre vasche.
🇮🇹 3rd International Art Symposium - 2011 in Scampia, Italy
Renuka Kesaramadu, artista e curatrice indiana, è nata in Karnataka nel 1957; ha frequentato l'università e ha assunto importanti incarichi in diversi ambiti. Nelle sue opere pittoriche cerca di esprimere la relazione, l'interdipendenza tra natura intesa in senso infinito cioè la natura dell'universo e i diversi elementi, più vicini a noi perchè visibili, che la compongono.Nascono così diverse serie di opere Occhi, Lei e il gatto, Cuore, Luce del sole, Famiglia e altre. Opere che restituiscono il sensoparticolare dell'unione tra natura e spiritualità e che ha esposto in diverse mostre personali (Romania, Finlandia, India) e collettive (Italia, India, Finlandia, Spagna, Ghana, Romania). Ha partecipato a diversi simposi internazionali (Finlandia, Italia, India).
Pentru ca Renuka Kesaramadu nu a putut fi prezenta la eveniment, Carmen Poenaru a fost cea care le-a vorbit invitatilor despre lucrarile artistei. “Renuka este un om extraordinar de religios, deschis catre univers si catre persoanele din jurul ei. Seria de lucrari denumita «Sunrise», pe care a trimis-o la invitatia mea, are o semnificatie cu totul aparte, pentru ca rasaritul in India este foarte important. Viata unui om incepe cu rasaritul de soare si tu, ca fiinta umana, ii multumesti soarelui pentru ca ti-a dat o noua zi”, a spus Carmen Poenaru, artist plastic.
🇮🇹 Antonella Prota Giurleo, Sormano, Italy, 2009
Renuka Kesaramadu has created a series of works in which the reality of the country of Sormano and its atmosphere are depicted carefully. Take shape on her canvases do the cobbled paths, the profiles of the mountains, the houses, the church, the beautiful young women who accompanied the artist showing and explaining, in English of course, aspects and particularities of the country. A country that, despite the dominance of gray, has its aspects of preciousness that the artist emphasizes through the use of the color gold. The same country that, in one of her works, is dotted with gold and wrapped in a loved symbology of white flowers, made using crumpled tissue paper and glued on the canvas.– Antonella Prota Giurleo, 9 August 2009, Sormano, Italy
🇫🇮 'Color & Idea', an exhibition in Hovinkartano, Finland
Renuka KesaramaduA visual artist, art critic, and event curator, Renuka Kesaramadu was born in 1957 in Kesaramadu, in the Tumkur district of the Indian state of Karnataka.She studied art history, history, and painting at the universities of Bangalore and Chennai, and at the Bangalore School of Art, and taught art at Tumkur University.She has exhibited her work in solo exhibitions in India and in Europe, including Finland and Romania.She has participated in numerous group exhibitions in India, Europe, Italy, Finland, France, Romania, Russia, Spain, Hungary, the United States, Brazil, and Africa, including Ghana.She curated an artist residency in 2008 at Tumkur University and has participated in numerous symposia in India, Italy, and Finland.Over the past two years, the artist has sought to express her feelings about the Covid-19 pandemic through a series of sketches, paintings, and computer-generated interpretations.In early November, Renuka Kesaramadu presented her latest works as follows:"These works about Covid are simple, crazy, inspired by spontaneous feelings about the pandemic. I want to summarize my thoughts in a few lines so they can be easily understood.Here, people have already forgotten about Covid, no one wears a mask or uses health precautions, life goes on as before, with gatherings of hundreds of people, thousands at weddings and various other occasions. People believe Covid is gone. In the USA, China, and Russia, it is starting again. One of my scientist friends wrote to me that the virus is exactly like a fire smoldering under the ashes; every now and then it flares up, so everyone should take care of themselves and others. And what's worse is that scientists don't know the virus's next metamorphosis. In these times, it's best to minimize public activities. We artists can work alone in our studios.The titles I've given my drawings express my feelings: Anger, Courage, Peace, Pain, Wonder, Laughter, Love, Beauty, Delight, Fear, Disgust.I titled one of the drawings "Bright Covid" because young people usually like to identify themselves through external beauty, personality, and activity. But in these times of Covid, with their faces covered by glasses, masks, and helmets, everyone in a group looks the same. My response, through the young woman, is: she's in a fashionable dress, holding a book in front of the library. Her face is covered, but she manages to open her mind, her thoughts, and her wisdom, to become strong enough.Another drawing is titled Covid Maala, which, translated, means Garland of Covid Viruses. A famous Indian deity called Durga is known for protecting goods and killing evil people. In iconography, Durga wears a garland of evil skulls around her neck. The garland is called Runda Maala, where Runda means skull and maala means garland—a chain around her neck. In this work, I imagined Durga killing all viruses, so I decided to call the piece Covid Maala."– Antonella Prota Giurleo
Renuka Kesaramadu, artista natural da Índia, pintora e gravadora, participa e organiza simpósios e residencias de arte. Mora no sul do país onde trabalha como mestre em gravura para jovens da escola Siddaganga. Vive em Tumkur, Índia.
🇮🇳 Arkay, at the Bajaj Art Gallery, 1997, Mumbai, India
The eye theme has been successfully exploited by a Karnataka artist, Renuka Kesaramadu. It is the eye that sees, understands, starts off communication, determines human relations.– Arkay, at the Bajaj Art Gallery, 1997, Mumbai, India
Renuka Kesaramadu is a contemporary painter and sculptor from India. She is best known internationally through her collaborative art exhibitions and participations in workshops in Europe. She has also curated a few international art symposia and exhibitions in India.Renuka's works have been exhibited in several solo art shows in Finland, Romania and India. In Finland, Galleries such as Magazine Gallery in Hovinkartano, Hauho, Taidegalleria Ripustus in Hämeenlinna and Caisa International Cultural Center in Helsinki have exhibited her paintings, along with Galeria Frunzetti in Bacău, Romania.Her works have been selected for participation in several competitions, including those by Karnataka Lalit Kala Academy, Karnataka Shilpa Kala Academy, All India Art Competition at Karnataka Chitrakala Parishat, 'Prints Today' by Karnataka Lalit Kala Academy, one by All India Fine Arts and Crafts Society – New Delhi, and one by Camlin Art Foundation, in Bangalore. Other selected participations have included All India Exhibition at Mysore Dasara, one by South Central Zone Cultural Centre at Nagpur, All India Competition at Bijapur and Bikuram Jain Competition at New Delhi.
Dialogue of Identities – 2016 | Women’s International Art Exhibition at BengaluruCurated Renuka KesaramaduIn the Dialogue of Identities, an identity refers to the uniqueness and ownness that each artist is bringing to the field of art, and is serving to the viewers. In this exhibition different artists have expressed their feelings in their own different ways.Curators’ noteHere in this exhibition we are sixteen artists, nine from abroad and seven from India. “Dialogue of Identities” was a title I used when four women artists exhibited at the Jehangir art gallery, Mumbai in 2014. Now in 2016 we are sixteen artists. Every artist in the exhibition practices her own style of paintings. Here to the viewers the artists seem to be having a dialogue with each other in one place. Viewers can enjoy the feelings of artists through their paintings. Art has a global language; anyone can understand any artist’s works throughout the world through their technique, expression, style, form, space and colors.With each other’s co-operation we have participated in several shows in different countries, and along with other Indian artists I am enabling the same in Bangalore. In this exhibition artists, art lovers and art students can see and study original paintings. This also helps to think about and manage growth and practice of our art at a global level. Cultural exchanges are always paving the way for globalization.I personally did not have an intention to hold an exhibition separately for women. However, my contacts with women artists and their co-operation automatically shaped this as a women’s art exhibition.Art Introductions● Antonella Proto Guirleo (Italy) – through her beautifully folded drapery textures made with locally available fabrics and other materials; ● Balea Maria (Romania) – reading out her diary in her own lines and tones; ● Bhavani GS (Karnataka) – nature’s tremendous power and beauty shown in minute elements; ● Carmen Poenaru (Romania) – celebrating the joy of life through color and technique; ● Cristina Ciobanu (Romania) – enjoying her fluent use of lines and colors; ● Dorothea Flies (Germany) – showing contrast of colors in her bold abstract forms; ● Geetha Kekobad (Gujrat) – touching on the softness of human relationship with other creatures around; ● Karolla Teschler (Germany) – capturing beautiful people holding and carrying solid sun through silver and gold-colored papers; ● Manjula Dubey (Maharashtra) – reflecting upon the beautiful mirror of life; ● Nirmala Kumari CS (Karnataka) – expressing the power and pains of women; ● Patricia Goodrich (USA) – generating curiosity with her poetic shapes and textures; ● Pirjo Heino (Finland) – depicting the tonal effects of nature; ● Premavathi V Hiremath (Karnataka) – showing endless mixing of earth and sky; ● Rupa Mahesh (Karnataka) – depicting the abstract forms of nature; ● Renuka Kesaramadu (Karnataka) – expresses the melodies of life through her flower series; also, after she visited Mount Vesuvius in Italy, she felt the Goddess Earth burning inside herself, and the burning sensation is showing through her eyes in the artist’s sculpture; ● Varda Breger (Israel) – depicting the contrasting voices of joy and pain of birds and animals;Women’s International Art Exhibition on view from 16th to 21st February 2016 | 11:00 AM to 7:30 PMVenue: Gallery 1 and 2 Karnataka #ChitrakalaParishath #Art Complex, Kumara Krupa Road, Near Shivananda Circle, Kumara Park East Bengaluru-560 001.
Stories of womenWith International Woman’s Day coming up next month, there are several events planned to showcase the various aspects of woman power. The show, Dialogue of Identities, is good on several counts. There are nine international artists in the list of 16 chosen by curator-artist Renuka Kesaramadu. The works by most of these outside artists are significant and it is interesting to see the professionalism and narratives that they bring from countries such as Romania, Israel, Italy, Germany, and Finland. From India, artist Bhavani GS’s works (see below) set the tone. Don’t miss the digital and ceramic art by Rupa Mahesh.Dialogue of Identities, 11am – 7.30pm, Feb 21, Chitrakala Parishath
Il mondo è qui. Qui, in Italia, a Milano, alla Biblioteca Gallaratese, luogo dove diverse culture si incontrano e si confrontano.Una biblioteca attenta alle diverse espressioni culturali è luogo ideale per mettere in mostra opere visive che si relazionano con opere realizzate attraverso i linguaggi verbale e scritto.Paesi lontani sono resi vicini dal desiderio di conoscenza, dai flussi migratori e dalla velocità dei mezzi di trasporto e si offrono agli occhi in un’ideale giromondo. Un giro del mondo che tocca, attraverso le opere esposte e le letture scelte per il momento dell’inaugurazione, tanti paesi: Messico, Italia, Brasile, Corea, Cile, Romania, Finlandia, Cina, Spagna, India, Perù, Polonia, Egitto e Argentina. Inaugurazione martedì 14 gennaio 2014 alle ore 17,30 con letture di Lucia Alves Da Silva, Francesca Barzo,Tamara Buhayeva, Gabriella Dugoni, Xiaolin Hu, Alexandru Macovei, Cosetta Madé, Renato Mele, Dana Sikorska.Artiste e artisti:Javier Alejandro Aguilar Garcez, Giuseppe Cafagna, Mara Caruso, Cho Eunhee, Jair Gabriel Da Costa, Alexandra Espinosa, Csaba Gyori, Pirjo Hejno, Wang Yanwen, Gemma Jimenez Montoya, Isabel Jover, Renuka Kesaramadu, Vijay Kumar.S, Li Li, Anja Mattila Tolvanen, Antonella Prota Giurleo, Cesar Reglero Campos, Savitha M, Dana Sikorska, Antonio Sormani, Paul Tiilila, topylabrys, Stefania Tussi, Alfredo West Ocampo.Curatori: Antonella Prota Giurleo
In concomitanza con l’esposizione delle opere di Giannetto Bravi è stato possibile esaminare anche alcune:● opere fotografiche di Gianmario Masala, fotografo italiano, e di Anja Mattila Tolvanen, artista e poeta finlandese;● opere grafico – pittoriche di Javier Alejandro Aguilar Garcez, artista messicano, Mono Carrasco, muralista cileno, Mame Demba Beye, pittore senegalese; Renuka Kesaramadu, Vijay Kumar S e Savitha M, artiste indiane;● libri d’artista di Fernanda Fedi e Gino Gini.
Fare Arte a ScampiaDa cinque anni la cooperativa Occhi Aperti organizza, in collaborazione con le associazioni del territorio, il Simposio internazionale di Arte contemporanea di Scampia. Durante il simposio artiste ed artisti di diverse nazioni vivono e lavorano a CasArcobaleno, sede della cooperativa, intrecciando relazioni tra loro e con la popolazione del quartiere. A Palazzo Roccella di Carafa, sede del PAN, sono esposte alcune delle opere realizzate dalle artiste e dagli artisti durante il simposio 2013 e la documentazione dei laboratori condotti sia dalle artiste e dagli artisti che da persone che risiedono in quartiere o a Napoli e che possiedono diverse competenze. I temi hanno spaziato, con particolare attenzione ai linguaggi visivi e alle diverse culture, dalla pittura al giornalismo, dalla cucina artistica alla poesia, dal disegno alla fotografia, dalla musica alla letteratura.In mostra: ... alcune opere realizzate da artiste ospiti a Scampia negli anni trascorsi: Marisa Cortese, Pirjo Heino, Renuka Kesaramadu, Chen Li, Isabel Jover.
🇮🇳 'We Four' - 2009, an exhibition at Renaissance Gallerie, Bangalore
Strokes apartPaintings and drawings by Renuka Kesaramadu, Rupa Mahesh, Nirmala Kumari, Geeta Kekobad will be held at the Renaissance Gallerie till July 31.
PaintingsAn art show comprising paintings and drawings by Renuka Kesaramadu, Rupa Mahesh, Nirmala Kumari, Geeta Kekobad, will be held on July 27 at the Renaissance Gallery.
🇮🇳 'Dialogue of Identities' - 2012, an exhibition at Jehangir Art Gallery, Mumbai
'Dialogue of identities' brings together four internationally active woman artists from Europe and India, depicting their musings about life and nature on canvas and paper. Their works seem to explore the reflection of life's vibrance over the inanimate, while trying to see past the existential into the divine.● Pirjo Heino (Finland) ● Renuka Kesaramadu (India) ● Karola Teschler (Germany) ● Geetha Kekobad (India)We four artists are extremely responsive of the assembling history that we belong to, which may be viewed as the tradition of feminist dialogue. Artistically expressive and reminiscent, our works imbibe oral histories of a multi-cultural social setting which becomes the stage of greater explanation and involvement. Common associations, conflicts, similar histories and cultural investigations - all combined in the pursuit of a visual language - have condensed to an articulate channel of modern being for the women.
🇮🇳 'IX' - 2011, An Exhibition of Paintings at Abstract Art Gallery, Bangalore
Women’s work‘IX’, an exhibition showcasing the art work of nine women artists from different parts of the world, featuring Maria Balea (Romania), Varda Breger (Tel Aviv), Cristina Ciobanu (Romania), Dorothea Flies (Germany), Patricia Goodrich (USA), Antonella Proto Guirleo (Italy), Pirjo Heino (Finland), Carmen Poenaru (Romania) and Renuka Kesaramadu (India), will be held from November 21 to 25, 11 am to 7 pm. The venue is Abstract Art Gallery, 8 Cunningham Road.
🇮🇹 3rd International Art Symposium - 2011 in Scampia, Italy
The Occhi Aperti Cooperative and its artists:Martine Boubal; Giuseppe Cafagna; Joelle Gandouin; Renuka Kesaramadu; Veronica Longo; Enzo Marino; Mari Jana Pervan; Antonella Prota Giurleo; Angelo Riviello; Antonio Sormani; Semira Abdul Wahabare pleased to invite you to the exhibition ofIII International Symposium of Contemporary Art of ScampiaThursday, July 7th at 7:00 PM at CasArcobaleno, Via A. Ghisleri, Lotto R
An exhibition of paintings and sketches called 'Pancakanyas' is on view at Shrishti Art Gallery, Plot No. 267, Road No.15, Jubilee Hills. The five Indian contemporary woman artists participating in the exhibition are Asha Radhika, Geetha Kekobad, Latha Marur, Renuka Kesaramadu and Vipta Kapadia. The show will be on till July 4 everyday between 11.00a.m. and 7.00p.m.
🇮🇹 International Art Symposium in Sormano, Italy 2009
L’associazione culturale Pro Sormano ha deciso di organizzare un Simposio internazionale d’arte al quale parteciperanno artiste e artisti europei ed extraeuropei.Le artiste e gli artisti saranno ospitati a Sormano, avranno contatto con persone e luoghi del territorio e lavoreranno per realizzare una serie di opere che saranno esposte nella mostra collettiva che sarà organizzata a fine simposio.Il simposio d’arte ha tre obiettivi sostanziali:● a. promuovere e facilitare il processo di comprensione dell’arte contemporanea per la cittadinanza del paese ● b. permettere l’ incontro - confronto tra espressioni artistiche e linguistiche di differenti stati con la cultura locale ● c. estendere il concetto di internazionalità espresso lo scorso anno con l’iniziativa I Sormani nel mondo proponendo il mondo a SormanoComune di Sormano Sormano (CO)
Galeriile Uniunii Artistilor Plastici din România – Filiala Bacau propun publicului la acest final de saptamina un dialog artistic intre Bacau si Karnataka (India), intre pictura si fotografie, la care au luat parte pictoritele Carmen Poenaru (Bacau, România), Renuka Kesaramadu (Karnataka, India) si fotograful bacauan Ovidiu Ungureanu.Vernisajul va avea loc vineri, 19 noiembrie 2010, de la ora 17.00, la galeriile de arta din strada N.Balcescu, nr. 12.Despre lucrarile expuse vor vorbi criticul de arta Carmen Mihalache si artistul fotograf Viorel Cojan.